A & P essays

A & P essays Have you ever disliked a job? The main character in the story is a 19-year-old boy named Sammy working behind the register of the convenient store; which hates his job. The story A In walks these girls in nothing but bathing suits(90). The girls disillusioned Sammy; he was awestruck by the way they were dressed. He had never seen anyone enter the convenient store dressed like that. The women that usually enter the store generally put on a shirt or shorts or something before they get out of the car into the streets. (91). Sammy is a very sarcastic individual, and passes judgment on what he thinks of them throughout the story. The first girl that Sammy notices is a plump girl with a soft looking can with those two crescents of white just under it one of those chubby berry-faces, the lips all bunched together under her nose(90). The sight of her made him mistakenly charge a woman standing in line twice for a box of crackers, I ring it up again and the customer starts giving me hell. Shes one of these cash register watchers, a witch about fifty with rouge on her cheek bones and no eye brows, and I know it made her day to trip me up(90). The second girl th at Sammy notices is much cuter than the first one, in his opinion. She was very tall and he thought to himself that she was the kind of girl other girls think is very striking and attractive but never quite m ...

Aggravated Assault essays

Aggravated Assault essays Aggravated assault is the unlawful threat of bodily violence or harm to somebody else, or an attempt to do such harm. The purpose of this paper is to inform the reader about all aspects of the personal crime of aggravated assault. It will illustrate the typical victim and offender and the situations that surround this crime from a citizen and criminologist perspective. Aggravated assault is more serious than assault because the offender inflicts an unlawful attack upon the victim for the purpose of inflicting severe or aggravated bodily injury. This type of assault is usually accompanied by the use of a weapon or by means likely to produce death or great bodily harm. In 1998, there were a total of 1,673,640 aggravated assault victimizations and 1,457,800 incidences. Victimizations indicate the number of people that were received the criminal offense. Incidences mean the scene and time of the assault. For instance, two people are robbed at gunpoint. It is counted as two robbery victimizations and one robbery incidence. Of all the criminal offenses measured by the National Crime Victimization Survey (NCVS), 5.3 percent of them were aggravated assaults. On average, about eight people in every one thousand people were the victims of aggravated assault. Out of one thousand people, 10.5 males were assaulted and 4.7 females. Black males and females are more likely to be the victim of aggravated assault between the ages of twenty to twenty-four. Twenty-six urban, black males out of every one thousand people are the victims. White males are more likely to be the victim between the ages of twelve to nineteen. White females are more likely to be the victim between the ages of sixteen to twenty-four. In all, black males are most likely to be the victim between the ages of twenty and twenty-four. Thirty-three percent of the victims had an income less than $7,500 annually. Such a low income is probably due to the young age...

Apple Inc Case Study Essay Example | Topics and Well Written Essays - 2250 words

Apple Inc Case Study - Essay Example Considering the market, one can say that the buyer power of Apple is mediocre. Its operations are limited to geographic areas of Americas, Europe, Africa, Middle East and Japan. However, the impact of forgetting markets like India where IT flourishes has a considerable impact on the performance of Apple. In fact, the company addresses only a single category; those who are willing to pay a premium price for high-quality technology. One has to admit that the threat of substitutes is much higher in the case of Apple, especially because of the premium price the company has set for its products. In fact, according to Marino et al. Apple enjoys ultimate superiority in personal media player industry where it offers four products; the iPod Shuffle, iPod Nano, iPod Classic, and iPod Touch. However, as a response to iTune, Microsoft has started Zune brand which offers all the features of a flash player and in addition, it allows wireless connectivity and beaming of audio and video up to 30 fee t distance. 4) The buyer power Considering the market, one can say that the buyer power of Apple is mediocre. Its operations are limited to geographic areas of Americas, Europe, Africa, Middle East and Japan (ibid). However, the impact of forgetting markets like India where IT flourishes has considerable impact on the performance of Apple. In fact, the company addresses only a single category; those who are willing to pay a premium price for high quality technology. 5) The supplier power In

Politics in Pan's Labyrinth and Watchmen Movie Review

Politics in Pan's Labyrinth and Watchmen - Movie Review Example Ofelia's mother ties the knot with another person who is a captain in Franco's army. Ofelia takes a great inspiration from fairy tales and while going to her step father she experiences many strange events which link her as being the lost princess of the underworld. Ofelia's step father is assigned to a remote village where he is designated to throw out all the rebels from the territory. Ofelia gets closely related to the servants working with the captain and she comes to know that the servant Mercedes is linked with the rebels but due to her love for Mercedes she does not tell his father about Mercedes. The rebels try to evacuate the captain from their land and in the end of the movie they even get successful in burning the outpost of the captain and finally killing him. Ofelia gets deeply involved in the fairytales and she is asked to pass some tests to enter the world of the underworld where she is supposedly the princess. In the end one of the test leads to her death in which she has to sacrifice her brother. The captain reaches the spot and kills her to get the posession of the child. Politics is greatly involved in Pan's Labyrinth in the form of war and the actions of people. ... This is because of her defiance to live in the captain's world of brutality. The fantasies of Ofelia from one point of view are also political as she is running away from the captain's world and she figures out that she can live in her own world where the captain does not rule. She tries to find her allies in the rebels and Mercedes and thus she sides up with the rebels. The whole movie portrays a political environment in which everyone is fighting for his own cause i.e. the captain tries to defeat the rebels while Mercedes and Ofelia try to end the tyranny of the captain and run away from his world. The film describes the situation of tyranny and dictatorship and emphasizes on the fact that dictatorship can only be ended through political tactics. In the climax of the movie the captain shoots Ofelia while she is giving a test to be called the lost princess of the underworld. The climax of the movie also portrays a way of how Ofelia fought to get herself released from the world of ca ptain. Pan's Labyrinth is a book which shows both the tactics used by the rebels and the fantasies which were seen by Ofelia in the form of politics as they are both done do get away from the shadow of the captain. There have been many famous comic samples. The chain of keeping comics aside for totally unrealistic matters was broken by Alan Moore, who added political issues in his writings. 'Watchmen' is known to be a great piece of comic work by Alan Moore in 1986-87. Alan Moore is recognized as the best writer in comics after creating such a master piece. His impressive DC series tracks many caparisoned vigilantes, consisting of the inhuman, knowledgeable, crazy, and intelligent but

Interaction and influences of genetics Essay Example for Free

Interaction and influences of genetics Essay The current belief in biology disqualify the fact that it is only the genes that determine most of the complex traits of a human being. It is well appreciated that DNA interacts at the molecular level with the signals from the environment as well as from other genes. When this concept is considered at the individual level, certain genes do influence trait development in context to a specific environment (Parens et al. , 2006). In this regard therefore, the degree into which a particular trait is influenced by the environment in relation to the genes depends on the specific environment and genes that have been examined. In most of the cases, it has been discovered that genes do contribute to someone’s personality, intelligence and even the psychological traits. Some of these traits maybe highly influenced by the environment in such circumstances as the environmental deprivation (Baker 2004). Environment genes and family traits. It is virtually possible now to measure the heritability of a trait in a certain population when these traits are determined through the complex interaction of environment and genotype. There is evidence that environmental factors within a family set up do have an effect on childhood IQ but on late adolescence it has been observed that the adoptive characteristics in the family siblings are not in any more unique than in the IQ of strangers (McInerney and Rothstein2007). Personality to a certain extent is heritable (Baker 2004). To support this belief, it has been observed that biological siblings are usually more similar in personality as compared to the adoptive ones while identical twins that have been brought up apart show personality similarity than other people who are randomly selected from the population (Parens et al. , 2006). Adoption studies have thus attempted to measure the strength of traits shared in a family. Though some studies indicate that adopted siblings only share the family environment, other studies have shown that by adulthood, the shared family effect on someone’s personality is usually zero. The question of biological determinism thus becomes real. That is if the genes do have a substantial role in the development of personality and even intelligence, then the question remains if genes really determine who really we are (McInerney and Rothstein2007). Though heritability measures used refer to the degree in which there is a variation between individuals in a certain population, these kinds of statistics are not applicable at an individual level. If a heritability index of a certain personality is 6, it would be inappropriate to say that the individual has 40% of personality traits from the environment and 60% from the parents (McInerney and Rothstein2007). Environment is a key factor that cannot be assumed at any point since even the highly genetically determined trait such as the eye color still do carry with them the environmental influence (e. g. atmospheric oxygen and temperature range). Genes do not directly determine the behavior but depending on the environmental context, they influence such conditions and physical traits as blood pressure, height, digestive activities and weight among others (Parens et al. , 2006). The same could be true of the psych-social complex behaviors. Each of these traits is affected by certain multiple genes that interact with various environmental factors. Thus a gene cannot be plainly said that it controls a behavior trait but rather it maybe more appropriate to say that is has an influence on any observed character (Baker 2004). Conclusion Genes that carry the power of heritability in an individual should be considered as enablers of character traits and not as constrainers as it may have been in some cases. Genes carry the possibilities of the organism but do not on the other hand reduce its options as the environment also has a role in enhancing them or even suppressing their expression. The social scientist can thus conclude that these new possibilities are not necessarily scripted in the advance but rather open to the individuals experience.

Mass Media Violence and the Effect on Children :: Papers Argumentative

Violence in the media is a problem in American society today. The effect can be severe and widespread. The people exposed to this media violence are mostly children. They are very impressionable and imitate what they see, hear and are told by their friends. In this essay I will state my opinion and the opinions of several physiologists and other officials. Violence on television has been an issue that has plagued man from the day it was invented. Numerous shows depict violent acts such as rape, murder, and other such acts that many people consider inappropriate for adolescents. According to some studies the average child watches about 27 hours of television week. In some cases it is as much as 11 hours a day on a weekend. With the current amount of violence that is on television today these same studies estimate that the average child sees 8,000 murders and 100,000 acts of violence before finishing elementary school. In 1992, there were over 1,800 acts of violence shown on television a day, over 360 those showed an act involving guns. Mediascope's National Television Violence Study found that 57% of television programs aired in 1994 and 1995, contained some violence most of these were cartoons. So the question is, should we ban violence from the television or should we just leave it the way it is? Some people believe that it should be banned from stations that show children?s programs to prevent the exposure of those children. Sometimes children see a great amount of violence on television, they begin to think that this is right and start to imitate the acts that they see on television, which are not the things that the parents want the children to learn from. One example of this is a thirteen-year-old boy who shot his best friend?s father and then put salt in the wounds. When he was asked why he did this he said that he had seen the same thing on a movie the day before. Psychological research has shown three major effects of seeing violence on television: Children may become less sensitive to the pain and suffering of others. Children may be more fearful of the world around them.. Children may be more likely to behave in aggressive or harmful ways toward others. Children who watch a lot of TV are less aroused by violent scenes than are those who only watch a little; in other words, they're less bothered by violence in general, and less likely to anything wrong with it.

A Thematic Guide to Canadian Literature Essay

In Rabelais and His World, the formalist critic Mikhail Bakhtin makes the one reference to Canada that appears in the body of his work. Discussing the French humanist’s comic rendering of Pantagruel’s northwesterly journey to the icy underworld, he points to the various levels of correspondence between Rabelais’s text (itself a parodic reworking of Dante’s Divine Comedy) and Jacques Cartier’s journal account of his 1540 voyage to Canada. It was Cartier’s colonial venture, Bakhtin suggests, that had a particularly complex and important effect on the European imagining of otro mundo: the new world (397-400). For Bakhtin, this effect was felt most tellingly on what might be best described as the implications of the Word in the Old World imagination, for it was Cartier’s discovery of the New World that prompted an essential reconsideration of the intellectual and imaginative structures that had until this point guaranteed the Old World a confidence in its linguistic centrality and a certainty in its imaginative enterprise. So radical were the restructurings necessitated by this new information that throughout the earliest explorations of the New World whole editions of journals and maps were destroyed or bought up and hidden â€Å"because they were thought to disseminate the wrong kind of information† (Huggan, 7) or, in the more abstract sense, to speak the wrong language, spread the wrong Word. But as journeys and journals accumulated, so, too, did the notions of Canada as a problematic new land and new language, as a site at which Old World and traditionally worded certainties were confronted by an openness of place that refused to be fixed, refused to accommodate its particularities and paradoxes to the tropes or metaphors privileged by familiar verbal codes. Every journey across this new land became another imaginative â€Å"mapping† of what were at once the knowable and the radically unknowable realities of the place a number of the earliest cartographers had labeled, somewhat ominously, terra incognita: the unknown land. Such mappings were â€Å"not a luxury,† as Margaret Atwood has observed, â€Å"but a necessity,† for without the sense of certainty they provided, these early Canadians would â€Å"not survive† (Atwood, 18-9). Atwood’s observations were not in themselves particularly revolutionary but were building on echoes of such notable antecedents as Northrop Frye, who saw in this confrontation both the source of our deep terror regarding the imminence of Canadian geography and of our national myths and mythic patterns (626), and Desmond Pacey, who defined â€Å"the Canadian imagination† as â€Å"mainly a function of† a collision between an imagination grounded fixedly in Old World language and a geography â€Å"so various† and â€Å"inescapably impressive †¦ that in itself it offers an inexhaustible challenge† (437-44). More recently, W. H. New has invited a full rethinking of the most basic terms of this challenge, suggesting that from Cartier’s earliest contact the word â€Å"land† has to be seen as a particularly complex discursive terrain, â€Å"a ground of contestation† upon which â€Å"an ongoing history of [our] relations with place and space† plays out. As New suggests, Canada in this sense becomes a semiotic site at which â€Å"Fixity vies recurrently with fluidity, position with positionality, the place of social residence with the condition of being there. † For Sheila Watson, the condition of â€Å"being† in the her The Double Hook (1959) is very much a process of doubling back on the assumptions and Words that have traditionally been part of the foundation of Old World thought and action. Faced with an â€Å"inexhuastible challenge† to survive, Waton’s characters open the novel trapped in silence, the doubling back of the â€Å"spoken† into the lethal pits-and-snares of the â€Å"unspoken† or, worse still, into the morass of the â€Å"never said. † And is it is in this doubling back of language that Watson’s characters find themselves hooked not once (on the self-glorifications of protective silence) but twice, by the fear in which silence finds its most solid footing. The Double Hook opens with an act of matricide, an act that is itself a doubling back to (re)collect both classic (the story of Orestes, for instance) and biblical (1 Timothy) allusions for use in this new land. It is the most profoundly un-natural doubling, as son erases his own origin, his own naming, his own source. At the same time, it is an act that resonates deeply through a family that lives â€Å"suspended in silence† and that includes among its various acts of violence the suicide of Greta, who remains dumb despite her impulse to use â€Å"her voice to shatter all memory of the girl who had stayed too long† (32) and the blinding of Kip, a young boy who attempts to speak of and against the repressiveness shaping his valley home. But as Watson reveals, this Canadian place is a one in which any move to double away from the exhaustive struggle to find language is often a fatal slide. As the character known only as the Widow’s boy shouts in response to the violence erupting in the silences around him: Can a man speak to no one because he’s a man? Who says so?†¦ I’ve held my tongue†¦ when I should have used my voice like an axe to cut down the wall between us† (116). The boy’s emphasis here is crucial, for what Watson demands to here in her Canadian place is not the language of another or the displacing silence of the fearful but a radical and potent questioning of the potentialities of a language that can articulate the freedoms that Cartier and others had (en)visioned for this place. As Barbara Godard explains, Watson remains â€Å"[s]ensitive always to the thinness and inarticulateness of modern language† (153) and is always in search of ways â€Å"to disturb the reader’s conventional consciousness of words and their so-called corresponding realities† (153). Watson’s warning, and her practice in The Double Hook, is for the need to interrogate language in the modern world, to bring language back doubled onto itself as a act of demythologizing and dismantling; Watson’s novel proposes in its own writing an understanding of language and reality that finds its most profound articulation in the doubling onto itself of language itself. In this doubling back of language upon itself, another act of murdering one’s origins, â€Å"Watson signals her departure from realistic verisimilitude† (154) and from the strictures that bound, not freed, Cartier and subsequent explorers, to the language of their realities and their worlds. â€Å"In the fold of the hills / under Coyote’s eye† (11) language begins to redouble its energies, unfold its potentials to mean beyond the literal into the circular encounterings of allusion and echo and irony. When James flees his ranch on horseback following the murder of his own mother, he becomes, briefly, a perverted image of the classic Western hero riding off into the sunset and silence of the horizon. But as he soon recognizes, his is not a semiotic site located in that system; in his place, in his language, â€Å"a person only escapes in circles no matter how far the rope spins. † In other words (in new words), he must double back and begin to fill the silence, to dismantle the double back language (silence) that has reified around the edges of his folded valley. In his doubling back, he must meet again with Felix, a character whose own languages — the vernacular of the valley, the ritualized formality of religion, the silken transcendence of music — has itself been emptied of meaning, reduced to cliche: He wondered: If a bitch crept in by my stove would I let her fall on the hot iron of it? I’ve got no words to clear a woman off my bench. No words except: Keep moving, scatter, get-the-hell-out. His mind sifted ritual phrases. Some half forgotten. You’re welcome. Put your horse in. Pull up. Ave Maria. Benedictus fructus ventris. Introibo. Introibo. The beginning. The whole thing to live again. Words said over and over here by the stove. His father knowing them by heart. God’s servants. The priest’s servants. The cup lifting. The bread breaking. Domine non sum dignus. Words coming. The last words. (41) Doubling back into his own languages through words â€Å"ritualized† and words â€Å"said over and over,† Felix lives, in this moment, trapped like James, forever in the ellipses of the â€Å"half forgotten† and in the promise, always frustrated, of â€Å"[w]ords coming. † In the end, though, it is Felix, with the assistance of Kip, who brings the novel back from the creases of its own doubling, back to the glory of language made meaningful with its own resonant doubleness, allowing it to be both glory and fear, articulation and reflection, the said and the unsaid. It is Felix, who steps to the side of Angel in the moment of her deliverance to assist in the miracle, and who, even the new mother admits, â€Å"didn’t do bad for a man†¦ Especially for a man who never raised a hand to help one of his own mares in foal† (116). Fishing with Kip in the now meaningful silence that follows the birth, there is a conversation between the two generations of valley men during which the older man’s sense of responsibility and wonder serves as a corrective to the younger one’s suspicion and fear: When a house of full of women, Kip said, and one of them Angel, it’s best for a man to take his rest among the willows. When a house is full of women and children, Felix said, a man has to get something for their mouths. (117) Caught again in a silence, Kip pauses to reflect on Felix’s refocusing of the valley, his doubling of the â€Å"reality† of the presence in the house (â€Å"and children†) that effectively reinscribes community over isolation, family over individual. When Kip speaks again, it is to accept his role in the â€Å"branding† that had scarred his face: â€Å"I keep thinking about James, Kip said. I kept at him like a dog till he beat around the way a porcupine beats with his tail† (117). Pausing momentarily before he answers, Felix slips past the ritual responses, the formulaic platitudes that have defined him in the past. Rather than parable or vulgar dismissal, he engages the younger man with a reflection upon James’s burden and, more importantly, a question that at once engages Kip but also looks to his future in the valley: â€Å"Jame’s got more than a porcupine has to answer for, he said. How’re you going to pick up a living now? † To pick up living in the valley is, as Angel makes clear when she names her new baby Felix, is through the model of the older man, who passes on the will to speak and the will to be heard to a valley. Moving beyond language into love, and through love back to harmony and rebirth, Felix reimagines the silence of the valley, shaping its contours with words and allowing the connecting moments of quiet to reverberate with meaning, to double back into the words of the father-figure in order to find a path to the future. Works Cited Atwood, Margaret. Survival: A Thematic Guide to Canadian Literature. Toronto: Anansi, 1972. Frye, Northrop. Literary History of Canada. Toronto: U of Toronto P, 1965. Godard, Barbara. â€Å"’Between One Cliche and Another’: Language in The Double Hook. † Studies in Canadian Literature 3 (1978): 149-65. Huggan, Graham. Territorial Disputes: Maps and Mapping Strategies in Contemporary Canadian and Australian Fiction. Toronto: U of Toronto P, 1994. New, W. H. Land Sliding: Imagining Space, Presence, and Power in Canadian Writing. Toronto: U of Toronto P, 1997. Pacey, Desmond. â€Å"The Canadian Imagination. † The Literary Review 8 (1965): 437-44. Watson, Sheila. The Double Hook. 1959. Toronto: McClelland and Stewart, 1989.