Medea - the conception of drama within theatrical production :: essays research papers fc

The Conception of Drama within Theatrical ProductionIn Euripides tragic play, Medea, the playwright creates an undercurrent of funny farm in the play upon asserting that, the worlds great order is being reversed. (Lawall, 651, line 408). The manipulation of the spectators emotions, which instills in them a sentiment of shimmer, is relative to this undertone of disorder, as opposed to being absolute. The central thesis suggests drama in the play as relative to the method of theatrical production. The three concepts of set, costumes, and acting, are tools which accentuate the drama of the play. Respectively, these three notions represent the appearance of drama on political, social, and moral levels. This essay will compare three different productions of Euripides melodrama, namely, the play as presented by the Jazzart trip the light fantastic toe Theatre the Culver City (California) Public Theatre and finally, the original ancient Greek production of the play, as it was scripted b y Euripides. The two contemporary productions of Medea were selected for this essay in an effort to contrast the ancient Greek version of the play with two renew versions, which would demonstrate a wide distinction between the trends of production. Furthermore, both modernized versions of the play add their own innovation to the production, making for an even broader dissimilarity among the plays. Moreover, both recent productions are fashioned within cultures which have borrowed their political, social, and moral ways of life from Ancient Greek society, specifically, South Africa (British Colonies), and The United States.Based in Cape Town, South Africa, Jazzart Dance Theatre is known today for its distinctive style and ingenuity in extending the boundaries of South African dance. Contrarily to the original production of Medea, Jazzarts unique approach uses dance (as opposed to music) to articulate emotion to the viewers. The dancers create Greek tragedy, harbouring no artistic safety net.The set plays a central role in dramatizing the theatrical experience of this particular production. As you can substantiate in both figures 1 and 2, the set is purposely designed to resemble a metropolitan alleyway. This dramatic ambiance is created in an effort to parallel the inclementness of the unforgiving streets of any particular conurbation. Normally, the audience would tend to construe this setting as a symbol of turmoil in the kingdom of Corinth. Thus, the set itself deeds as a device in developing a sense of political drama.The costumes which are used for this particular production are also prerequisite in dramatizing the on-stage action.